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[…] This performance, presented by Instabili Vaganti, illustrated by a heartbreaking bilingual acting and by sounds, songs, images and corporeal gesture, is born within the international project Megalopolis, developed in 2012 in Mexico City and involving artists and students in order to communicate, upset and motivate the consciences of whom looks away from the annulment…
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[…] MEGALOPOLIS is a “Experimentation and performing arts creation project in the global era” born in 2012 because of Anna Dora Dorno and Nicola Pianzola, in collaboration with the international performers team of the Instabili Vaganti International Laboratory (Swede/Norway/Italy/Korea) and with UNAM Universidad Nacional Autónoma de México – Centro Cultural Universitario Tlatelolco / UVA Unidad…
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The performance is strong and tragic. […] Everything is lyric and powerful. This project is born after a work experience of the authors in Mexico, Uruguay and Argentina, and has availed itself of the collaboration of some students and their testaments. A denunciation theatre of today that tries to keep alive the freedom of expression,…
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[…] A work of protest that trough a wise use of the space and of the actors transforms us in active and conscious part of a thorny truth. […] Anna Dora Dorno’s direction is competent and focused, and it resumes some concepts elaborated during years of militancy, support and study of the Mexican territory and…
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[…] The theatre teaches us that fighting for the ideals is never a defeat, because the fight and the fighters will never be forgotten. […] The theatre striked us, together with the voice of the internet, its musics, its complains, its cries: the 43 Desaparecidos are the voices for the 44, 45, 46 that will…
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43 is the number of an unsolved obsession, of a screamed truth […] 43 is a number that quantifies and identifies one of the defeats of what we persists to call “civilization.” […] The history repeats itself, but the memory is nurtured; the art takes charge of it and becomes an act of love for…
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The injustices, the crimes, the oppressions, the contempt, the mistreatments of million of people are universal, but in the same way are universal the reminder of life, of rebellion, of dignity. Rebellious geographies will always exist, places where for each destroyed life one hundred of them will bloom angrier. […] Megalopolis is a project developed…
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There comes a point in the middle of Made in ILVA where you feel as if you might be going mad yourself. Hallucinating the fact that performer Nicola Pianzola keeps repeating over and over “the brutalisation” while hammering the steel set with his palms (which are surely by now raw). Delirious with the metal rhythms…
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[…] In Taranto 30% of the population have lung tumors while the factory is still thriving financially. Therefore the piece voices anti-capitalist views highlighting how society accepts to sweep issues like these under the carpet or under a pile of ever-growing dead bodies. Through repetitive mechanical movements Pianzola puts his body through pure exhaustion and…