Press quote by Fathima Ashrat – The Times of India
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An immersive and artistic journey that explores Dante’s Divine Comedy
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An immersive and artistic journey that explores Dante’s Divine Comedy
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A work full of universal suggestions, with powerful images that will ferry you into the otherworldly dimension
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“There are testimonies on video and there are words and choreographies: the fear of definitively interrupting a cycle that is not only artistic but of life is won thanks to the warm applause of the real audience in a real theater, which corresponds to a global embrace and a unconditional appreciation.”
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ONCEMORE….! …..Made in ILVA: The ultimate theatre….It was a horrible experience to see how the man is trnsformed into a machine and the whole human civilization into A monstrous industry or a factory through the proces of ”Brutalizaion”. An intense performance by Instabili Vaganti. The music sounds and lights etc all were aimed to create…
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MADE IN ILVA is not a pre-mature or a post mortem delivery. It’s a human machine delivered in time without any Jesus or Marx…as this is a pure theatre well organized to the precision of ultimate creativity.May be its a post industrial scandal but its justification is no phenomena. The best part is the actors…
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[…] On a dark stage, Pianzola performs solo under a swathe of light aided by nothing more than a ladder that becomes a metaphor for a cage that traps workers. […] When he called out to the audience, “Are you happy? Are you happy?” he got a silent response. “In south India, we were performing…
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An other performance not to be missed at Teatre La Vilella! Yesterday we have enjoyed a performance that unfortunately is on scene for the last night today: “Made in Ilva”. I try to inform you as quickly as possible so that you don’t miss it, because is really the best performance we have seen in…
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[…] In this performance we can find videos, a voice-over declaiming both in italian and in english, a lot of actions and sounds becaming obsessive rhythm. Seated on cushions, the audience enjoyed very closely Nicola Pianzola’s performance, who was playing the suffering and sick Ilva’s ironworker, while the voice-over said “work, work!” […]
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[…]Made in Ilva- the Contemporary Hermit, by Instabili Vaganti Company, introduces the 5th edition of Torino’s “Schegge al Cubo Festival”. […] Based on the diary and on other depositions of Ilva’s ironworks, the Contemporary Hermits talks about the true story of the biggest european steel plant [in Taranto]. The hole city and the ironworkers, wrapped…
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[…] After collecting a lot of awards for civil commitment and for innovation, the fable of brutalizing and alienating work arrives in Turin, a fable in which the worker is forced to operate in a metal foresta as the iron plant. The dramaturgy combines some depositions of workers of Taranto’s Ilva, some parts of Luigi…