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[…] MEGALOPOLIS is a “Experimentation and performing arts creation project in the global era” born in 2012 because of Anna Dora Dorno and Nicola Pianzola, in collaboration with the international performers team of the Instabili Vaganti International Laboratory (Swede/Norway/Italy/Korea) and with UNAM Universidad Nacional Autónoma de México – Centro Cultural Universitario Tlatelolco / UVA Unidad…
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The performance is strong and tragic. […] Everything is lyric and powerful. This project is born after a work experience of the authors in Mexico, Uruguay and Argentina, and has availed itself of the collaboration of some students and their testaments. A denunciation theatre of today that tries to keep alive the freedom of expression,…
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[…] A work of protest that trough a wise use of the space and of the actors transforms us in active and conscious part of a thorny truth. […] Anna Dora Dorno’s direction is competent and focused, and it resumes some concepts elaborated during years of militancy, support and study of the Mexican territory and…
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[…] The theatre teaches us that fighting for the ideals is never a defeat, because the fight and the fighters will never be forgotten. […] The theatre striked us, together with the voice of the internet, its musics, its complains, its cries: the 43 Desaparecidos are the voices for the 44, 45, 46 that will…
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43 is the number of an unsolved obsession, of a screamed truth […] 43 is a number that quantifies and identifies one of the defeats of what we persists to call “civilization.” […] The history repeats itself, but the memory is nurtured; the art takes charge of it and becomes an act of love for…
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The injustices, the crimes, the oppressions, the contempt, the mistreatments of million of people are universal, but in the same way are universal the reminder of life, of rebellion, of dignity. Rebellious geographies will always exist, places where for each destroyed life one hundred of them will bloom angrier. […] Megalopolis is a project developed…
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BOLOGNA – “Le dittature sono l’ordine delle galere e il silenzio dei cimiteri” (Sandro Pertini). La disperazione del silenzio del 4.33 di John Cage e lo strazio dell’angoscia delle 4.48 di Sarah Kane. I numeri, a volte, hanno un potere taumaturgico, anestetizzante, nella loro freddezza neutra. I numeri sono solo simboli, piace ripetere ad alcuni,…
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